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blues, blues harp, Bonny Rait, Eric Clapton, grateful dead, Indiara Sfair, Joanna Connor, Joe Bonomasa, Keb Mo, muddy waters, Paul Butterfield, Paul Butterfield Blues Band, Rev.Robert Jones, Robert Johnson, Rory Gallagher, Son House, walking blues
From Wikipedia:
“Walkin’ Blues” or “Walking Blues” is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House’s repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions.
Besides “Walking Blues”, Johnson’s 1936 rendition incorporates melodic and rhythmic elements from House’s “My Black Mama” (which House also used for his “Death Letter“) and slide guitar techniques Johnson learned from House. In 1941, Waters recorded the song with some different lyrics as “Country Blues” in his first field recording session for Alan Lomax. It served as the basis for his first charting song, “(I Feel Like) Going Home”, for Chess Records in 1948. He later recorded “Walkin’ Blues” with lyrics closer to House’s and Johnson’s for his first single, released by Chess in 1950. Various musicians have recorded the song over the years, usually as an electric ensemble piece.
Although Robert Johnson’s version may be the more well known we should start with the original Son House version:
Well got up this morning, feeling ’round for my shoes
Know about that, I got the walkin’ blues
I said I got up this morning, I was feeling ’round for my shoes
I said you know about that now, I got the walkin’ blues
The blues ain’t nothing but a lowdown shaking chill
If you ain’t had ’em I hope you never will
Oh, the blues is a lowdown old aching chill
If you ain’t had ’em boys, I- I hope you never will
When you get worried drop me a line
If I don’t go crazy, honey, I’m going to lose my mind
When you get worried I said sit down and drop me a line
If I don’t go crazy, honey, I’m going to lose my mind
Your hair ain’t curly, your doggone eyes ain’t blue
If you don’t want me what the world I- I want with you?
Oh, your hair ain’t curly and your doggone eyes ain’t blue
I said now if you don’t want me, babe, what the wide world I want with you?
Don’t a man feel bad the Good Lord’s sun go down?
He don’t have nobody to throw his arms around
Can’t a man feel bad, I said when the Good Lord’s sun go down?
I said he don’t have a soul, not to throw his arms around
Looky here baby, what you want me to do?
I’ve done all I could just to get a-along with you
Looky here honey, what do you want poor me to do?
I say I’ve done all I could, honey, just to get along with you
You know I love my baby like the cow love to chew her cud
I’m layin’ round here though I ain’t doin’ no good
Ooh, I love you honey like the cow love to chew her cud
I’m layin’ round here, baby, but I- I sure ain’t doin’ no good
You know the minutes seem like hours, the hours seem like days
Seem like my baby don’t stop her lowdown ways
Oh, the minutes seem like hours, I said the hours, they seem like days
You know it seems like my bride never stop her old lowdown ways
I’m going to the gypsy now to have my fortune told
I believe somebody is stealing my jelly roll
I’m going to the gypsy, I believe I’ll have my fortune told
’cause I believe somebody is trying to steal my jelly roll
I got up this morning, feeling sick and bad
Thinking ’bout the good times that I once have had
I said soon this morning, I was feeling so sick and bad
You know I was thinking ’bout the good times now that I- I once have had
The sun is going down behind that old western hill
Yes, yes
Ooh, behind that old western hill
And I wouldn’t do nothing boys, not against my woman’s will
You know I’m going away, I’ll stay a great long time
I ain’t coming back here until you change your mind
Oh, I’m going away, I believe I’ll stay a great long time
I said I ain’t coming back, honey, until you change your mind
and now Johnson’s:
Johnson follows a “morning” theme, similar to House’s 1930 recording and uses House’s first verse. Johnson’s second verse may have been local or composed by either singer. It formed the basis of the song by their younger neighbor Muddy Waters, which was published by the Library of Congress as “Country Blues” and by Aristocrat Records as “I Feel Like Going Home”. The third verse was in circulation and had been recorded by Mamie Smith in 1920 in “Fare Thee Honey”.
As a male singer, Johnson could plausibly speak of the dangerous hobo practice of “riding the blinds” defined as “To cadge a lift by standing on the platform attached to the blind baggage car…a car that ain’t got no door in the end that’s next to the engine”. The fourth verse is extremely common. The final verse, with reference to the widely advertised Elgin watch, was first used on record by Blind Lemon Jefferson in “Change My Luck Blues” in 1928.
Lets get Muddy Waters feel for this song -live in Paris
Muddy and others continued to adapt the lyrics so keep looking for new lines/verses in the following examples.
Woke up this morning, feel ’round for my shoes
You know ’bout that babe, had them old walkin’ blues
Woke up this morning, I feel ’round for my shoes
You know ’bout that babe, Lord, I had them old walkin’ blues
Leavin’ this morning, I had to go ride the blinds
I’ve been mistreated, don’t mind dying
This morning, I had to go ride the blinds
I’ve been mistreated, Lord, I don’t mind dying
People tell me walkin’ blues ain’t bad;
Worst old feeling I most ever had
People tell me the old walkin’ blues ain’t bad
Well it’s the worst old feeling, Lord, I most ever had.
and some more recent musical versions:
I particularly like Bonny Raits’ version:
Some additional lyrics:
I woke up this mornin
Feelin round for my shoes
Know bout at I got these
Old walkin blues
Woke up this mornin
Feelin round oh for my shoes
But you know bout at I got these
Old walkin blues
Lord I feel like blowin my
Woh-old lonesome home
Got up this mornin, my little
Bernice was gone , Lord
I feel like blowoon my
Lonesome home
Well, I got up this mornin
Woh-all I had was gone
Well-ah leave this mornin if I have to
Woh ride the blind ah
I’ve feel mistreated and I
Don’t mind dyin
Levin this mornin ah
I have to ride a blind
Babe, I been mistreated
Baby, I don’t mind dyin
Well, some people tell em that the worried
Wblues ain’t bad
Worst old feelin I most
Ever had
Some people tell me that these
Old worried, old blues ain’t bad
Its the worst old feelin,
I most ever had
She got a
Elgin movement from her head down
To her toes
Break in on a dollar most anywhere
She goes, ooo oooooooooo
To her head down to her toes
[Spoken:]
Oh honey
Lord, she break in on a dollar
Most anywhere she goes
***************************
and the version by the Butterfield Blues Band is also a favourite:
And for a different harmonica accompaniment try Indiara Sfair
This Keb Mo version allows us to explore the power of collaboration:
Enjoy a few more versions and try to spot changes in lyrics, as well as guitar/vocal style –
Joanna Connor
Rory Gallagher’s version (starts around 2 mins in…)
Joe Bonamassa
And Clapton’s acoustic version:
Any Dead fans out there?
After the performers -what about some analysis and lessons?
A few more lessons for guitar:
In the style of Robert Johnson:
and another style of teaching:
It is worth comparing teachers even if they are trying to teach the same song:
Take your pick – you can learn something fromeach one of them:
How about adding some Harmonica?